1788 Easy chair

By Hans J. Wegner , 1974

The 1788 chair features a stunning profile in the sloping armrests, reflecting Wegners signature sculptural details and talent for working with wood.

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1788 Easy chair
1788 Easy chair - Model 1788
With buttons  
W: 65,5 cm
D: 70 cm
H: 88 cm
Wt: 10 kg
Cbm: 0.45 cbm
Sh: 43,5 cm

About The Collection

Børge Mogensen and Hans J. Wegner, both born in 1914, were both colleagues and friends, and the two Danish designers worked together on a number of exhibition projects. One of them was the annual Copenhagen Cabinetmaker’s Guild Exhibition in 1945, where Mogensen and Wegner designed and presented “A Home For the Future”.

The centrepiece of Mogensen and Wegner’s stand was the living room, in which they presented a new vision for lightweight and functional furniture. Even though the Spoke-back series was acclaimed for its innovation, it was also regarded as too sophisticated for the modest post-war culture, and the Spoke-back sofa did not go into production until 1963. In 1974 Wegner redesigned the 1788 easy chair to arrive at the current design.

The Spoke-back Sofa materialises Mogensen’s idea of a sofa with a reclining side and it was originally exhibited without back cushions. Hans J. Wegner’s spoke-back chair provides a comfortable seat with beautiful profiling in the armrests that reveals Wegner’s sculptural talents.

Both designs are completely bare from every angle – even the cushions are attached with visible straps. The exposed wooden construction is typical for both Mogensen and Wegner, and in the Spoke-back Collection they continued their work with the Windsor chair methodology.

Hans J. Wegner

Designer

“A chair should have no back side. It should be beautiful from all sides and angles.”

One of the most prolific Danish talents of his time, Hans J. Wegner (1914-2007) designed roughly 500 chairs, many of which have become classics that are still in production today. Wegner is part of the “Golden Age’ of modern Danish design, known for his fascination with wood and for infusing functional designs with a poetic, playful edge. His work played a vital role in making Danish Modernism popular on an international scale.

For Wegner, a chair isn’t just a piece of furniture but a work of art made to support the human form. His style is often described as Organic Functionality, uniting softer forms with a focus on functionality. At the same time, Wegner incorporated the natural grain and other characteristics of wood to create surprising, sculptural lines. Given a chair’s close contact with the human body, he was adept at ensuring the ergonomics of comfort.

Wegner showed an affinity for wood as a child, which later influenced his work as a furniture maker and designer. He began his career as a cabinetmaker in 1932, before studying at the Copenhagen School of Arts and Crafts, where he met his colleague and friend, Børge Mogensen. Wegner became an architect in 1938 and established his own design firm in 1943.

Throughout his long and productive life, Wegner received a number of awards and honours. These include his appointment as an honorary member of the Royal Danish Academy of Fine Arts and an honorary Doctorate from the Royal College of Art in London. He won the Grand Prix at the Milan Triennale and he was the first recipient of the Lunning Prize. He also received the 8th International Design Award in Osaka, Japan. Wegner’s work has been featured at major design institutions around the world, such as the Museum of Modern Art / MoMA in New York and Die Neue Sammlung in Munich.